Table of Contents Table of Contents
Previous Page  76 / 92 Next Page
Information
Show Menu
Previous Page 76 / 92 Next Page
Page Background www.theconnectionsnj.com CALL FOR ESTIMATE (908) 722-2345 WWW.DRAPERYCARE.NET Bedminster ON-SITE Drapery Care We dry clean window treatments right in your home, right where they hang – Work usually completed in one day. Fully insured. Fully bonded. WE RESTORE LEATHER UPHOLSTERY FINE ORIENTAL RUGS WE CLEAN DRAPERY & UPHOLSTERY HUNTER DOUGLAS SHADES WE GUARANTEE NO DAMAGE OR SHRINKAGE 908-236-7997 Fax: 908-236-7686 1260 Rt. 22 West • Lebanon (only minutes off Rt. 31, 78, 287, 202 & 206) www.capconnections.com WHATEVER THE WEATHER… WE’VE GOT YOU COVERED! CAP Connection The TRUCK CAPS & TONNEAU COVERS Tool Boxes • Bug Shields • Hitches • Running Boards • Bed Liners Push Bars • Vent Visors • Floor Mats • Fog Lights • Ladder Racks Gift Certificates Available! We Carry a Full Line of Washes and Waxes for your Vehicle! JERACO, ACCESS & OTHER QUALITY BRANDS This is the second in a series of articles on unusual fabric stain removal chal- lenges we face at Bedminster ON-SITE Drapery Care. We thought for this issue it would be of interest to instead review a recoloring assignment having to do with leather rather than fabric. Recoloring can be considered the opposite of stain removal. Recently, we were commissioned to restore a 15-ish year old Chanel, lamb- skin jacket, which had suffered severe sun damage (see Picture #1). Although our client explained that she had five more Chanel jackets just like it hanging in her closet, this one was her favorite but that she had not been able to enjoy it for several years due to color fading. The leather jacket in question was ani- line lambskin. Aniline lambskin is a very fine, comfortable to the touch, unprotected leather. The coral pink color had been “bleached out” by the sun’s ultraviolet (UV) rays. The color loss was uneven and, as usually is the case, the upper part of the left sleeve had received the brunt of the damage. This is due to the sun’s rays hitting this exposed part of the garment through the driver’s side window. The correct, original color can be found by examining the leather on the inside of the jacket where the sun’s rays never enter. We can compare this undamaged original color with the faded color on the outside of the jack- et (see picture #2). We shipped the jacket to our artist in North Carolina, who mixed the exact color matched to the inside of the sleeve, returning the jacket with this custom dye to us. First, we prepare the leather to accept the new dye by treating it with a spe- cial leather cleaner. Once dry, we apply a first coat of dye to the entire jacket. This is followed by additional coats as required until the correct shade is achieved. Each added coat darkens about one-half zone. The jacket must be dried completely in between coats, which is time consuming. The correct shade must be achieved in no more than six coats as beyond that no color change will occur. The problem we run into is that leather, unlike fabric, takes dye unevenly. Different areas require more dye coats than others and the dye has to be feathered in just right in order to look even. This is where expertise comes into play. Meticulous attention is required as mistakes cannot be cor- rected. To complicate matters, some- times, because of both the age of the leather and the severity of sun degra- dation, some areas of the leather might simply not absorb any color. Unfortunately, one cannot predict this ahead of time. Such was the case particularly with the left sleeve of the jacket where the color simply refused to darken (see Picture #3). We were already at several coats of dye and remember, one can only apply up to six coats. Running out of options, we decided to add exactly three drops of black dye to the remain- ing coral dye, which had the effect of producing a much darker coral shade. This magically enabled us to force the color into the reluctant sleeve area, thus giving the jacket the desired, uni- form shade (see Picture #4). After complete drying, the jacket was treated to a tannery-like softening fol- lowed by a UV protectant treatment. In retrospect, had I known how much the replacement cost of this jacket was, I might have hesitated to take on the project. Nevertheless, our customer was quite pleased with her newly restored, lambskin jacket. CHANEL JACKET RECOLORING By: Mitch Frieber, Bedminster ON-SITE Drapery Care #1 #2 #3 #4

PAGE 76

home

&

design